The cave paintings of Lascaux (in southwestern France) date to around 15,000 B.C.E. and are among the finest examples of prehistoric art known. Ever since the paintings were discovered, scholars have puzzled over their purpose. According to one widely discussed interpretation, the paintings were made to ensure a successful hunt. Several considerations support this view.

In the first place, there is the animal subject matter of the paintings. The cave images are almost exclusively of large mammals. These animals include bison, wild horses, and now-extinct aurochs (wild cattle), which are known to have been hunted by the Paleolithic people who created the paintings. A number of the animals are shown wounded by arrows and spears. There are also depictions of what appear to be the seasonal migrations of these animals that would have been very important to prehistoric hunters.

Second, the depictions of humans in the cave paintings include human figures that appear to have animal heads. These could be hunters: hunters in some traditional cultures are known to disguise themselves with animal heads so that they are not recognized by the animals they are hunting. 

Third, many cultures hold the belief that by depicting an event one can bring about its reality. Throughout history—prehistoric, ancient, and modern—images have been regarded as more than mere decorative representations; they are seen as having magical power to affect reality. Thus, it is reasonable to suppose that the hunters who created the Lascaux cave paintings believed that by painting successful hunts, they were ensuring that real hunts would be successful.